Jon Hartman

JON HARTMAN

Producer. Production Manager.
Production & Systems Designer.

Nashville, Tennessee · Founder, Pearl & Pig

Bringing creative ideas, production teams, and show-day details together.

Big What Big Wow is my personal portfolio.
Pearl & Pig is my studio.

THE WORK. IN TIME.

What I’m doing now.
Where the work has taken me.

NowCurrent

Josiah Queen

Production Manager

2026–Present · Damascus Road tour preparation

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01 / 18

Selected screen & live credits

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TPR Live Nation Outback Presents
All projects & creditsBrowse the full directory

The work, at a glance

MANY WORLDS.
A COMMON THREAD.

Selected work, roles, and the teams
and projects behind them.

24 selected projects

Screen background: production, locations, and assistant directing.

Download one-page résuméExplore the full story

What connects it all

THE WHOLE MATTERS.
SO DO THE PARTS.

Different teams, disciplines, and ways of working.
A shared direction, with room for what each brings.

01People

Artists · Crews · Partners

02Creative

Story · Show flow · Intent

03Operations

Advance · Schedules · Delivery

04Systems

Context · Information · Action

Jon Hartman holding a microphone on stage, photographed in black and white
00Music & stage · 2000–2024

MUSIC.
STORY.
THE ROOM.

Writing a song. Shaping a show.
Finding the pace and giving a moment room.

From my photo archive

From an idea to an experience

Creative work across songwriting, performance, pitch writing, and producing. The role changes, but the process stays collaborative: develop the idea, build the story together, and carry the right details into the room.

01 / Singer / Songwriter

Midnight To Twelve

Six years of full-time touring with Midnight To Twelve, a mainstream active rock band. The songs and live performances grew through the work of the band and the connection with each audience.

02 / Singer / Songwriter / Programmer

Ah2 Music

Songwriting, vocals, and programming for Ah2 Music, contributing recorded work to a catalog for television and film placements.

03 / Creator / Producer

The K5 Kids

A Christian children’s music project built around animated characters for kindergarten through fifth-grade audiences. Songs, characters, and production come together in an experience made for kids.

Recorded music

LISTEN.

Swipe through the records. Choose one to listen.

Love Song

Jon Hartman

Apple Music previews. Open in Apple Music for full playback.

Writing. Making. Bringing it together.Touring & production
01Touring & production

ON THE ROAD.

Three assignments.
The work behind each credit.

Josiah Queen · Damascus Road album artworkCurrent · 2026–present

Production Manager

Josiah Queen

Advance and production planning for the upcoming arena tour.

Assignment
2027 Damascus Road arena tour
Responsibility
Venue information, production requirements, crew planning, vendors, and rehearsal preparation.
Dramatic cross-carrying scene in The Thorn stage productionCompleted · 2023–2025

Producer

The Thorn

Oversaw touring production from concept and preparation through national performances.

Assignment
National touring production
Responsibility
Show flow, cue preparation, and communication across production departments.
Official for KING & COUNTRY artist campaign artworkCompleted · 2026

Stage Manager

for KING & COUNTRY

Stage Manager for the completed Europe and Fall 2026 tours.

Assignment
Europe and Fall tours
Responsibility
Show requirements, technical questions, and follow-up with production management, venues, and department leads.

Also selected:

Communicator & Speaker

WORLD VISION
CHILDFUND
& COMPASSION

Writing and speaking for World Vision, ChildFund, and Compassion on tour, inviting concertgoers to sponsor a child. Presentations drew on personal experiences and stories, with pacing and delivery shaped for each live audience.

On tour with

  • Big Daddy Weave
  • Rend Collective
  • Danny Gokey
  • Big Church Night Out
  • WinterJam
  • Mercy Me
  • Crowder
Two foreground speakers sharing a fist bump onstage, with a musician behind them
Reading the room. Finding the pace.From my photo archive

From my travels

THE PEOPLE.
THE PLACES.

Photographs from my trips with
World Vision, Compassion & ChildFund.

Sharing a laugh with a group of children during a visit
Two people mid-jump, surrounded by a smiling group outdoors
Two children standing together during a visit
Tuk-tuks and motorbikes along a street lined with shops
Mountains across a blue lake, with a boat and a traveler on a wooden dock
Adults and a child riding together on a motorbike
On the road. Behind the stage. Into the show.Live events
Nighttime outdoor concert audience, photographed from near the stage
02Concerts · Festivals · Broadcast

IN THE
LIVE MOMENT.

Different stages.
The same attention to people and details.

Explore live work
From Jon’s photo archive · Live events

From my photo archive

BEHIND THE SHOW.

The build. The room. The moment.

Arena load-in
The buildArena load-in01 / 09
Choose a moment
Camera equipment in a venue with stained-glass windowsThe work continues

From a live audience
to the other side of the camera.

↓
03Film & television

ON SCREEN.

A background in production, locations, and assistant directing.

Production · Locations · Assistant directing background

04IP / ORIGINALS

ORIGINAL
WORLDS.

Original concepts and writing.
Created through Pearl & Pig.

The Keepers Live! · Before the knock, before the manger, before the star

01 Stage Production

The Keepers

Created by Jon Hartman · Pearl & Pig

Read the concept

Before the knock. Before the manger. Before the star… there was a family trying to hold it all together. Caught between prophecy and pressure, doubt and destiny. This is their story, told with music and heart. The Keepers Live! is built for the stage and written for the family.

Explore at Pearl & Pig (opens in a new tab)
The Keepers · Adventure awaits in every prophecy

02 Animated Series

The Keepers Animated

Created by Jon Hartman · Pearl & Pig

Read the concept

Adventure awaits in every prophecy. This animated series (TKA) follows four unlikely explorers that discover a hidden world behind the stories of scripture, unlocking clues, navigating riddles, and learning timeless truths. Together, they're more than family, more than friends… They're The Keepers.

Explore at Pearl & Pig (opens in a new tab)
B-BOTS · Start with Faith

03 Kids Series

B-BOTS

Created by Jon Hartman · Pearl & Pig

Read the concept

B-BOTS empower children to navigate a tech-shaped world with wisdom, wonder, and heart. Through interactive stories and glowing adventures, they teach kids how to think critically, use technology safely, and grow in character. Each mission blends biblical values with real-world problem-solving, helping young viewers connect faith with action.

Explore at Pearl & Pig (opens in a new tab)
Dust to Glory · original Pearl & Pig artwork

04 Immersive Experience

Dust to Glory

Created by Jon Hartman · Pearl & Pig

Read the concept

From Dust to Glory is a fully scripted, music-driven worship experience that blends Scripture, surround sound, and sacred visuals. An immersive encounter with the life and miracles of Jesus, featuring iconic worship songs, spatial narration voiced in English and Spanish, fully synchronized lighting, visuals, projection, and effects. Designed to scale from 500 to 20,000 seats.

Explore at Pearl & Pig (opens in a new tab)

For current development and production plans, contact Jon.

05Systems / Pearl & Pig

FROM DOING
THE WORK.
TO BUILDING
HOW IT WORKS.

Founder · Producer · Systems Designer

Through Pearl & Pig, I lead the development of TELA, Orbit, and TourText, shaped by real production workflows and the people doing the work.

Created by Jon HartmanIn development
Orbit

The workspace.
Tour Worlds, information, and the work ahead.

TELA

The conversation.
A way to work with production context.

Tour information.
Instantly usable under pressure.

An SMS-first tour information system that makes existing tour data accessible by text, using source documents and exports from systems such as Master Tour and Eventbrite.

Open Orbit. Choose Tour World. Ask TELA.

From a document to a useful answer.

A workflow these tools are being developed to support.

  1. Organize the source.Orbit holds a Tour World’s information and the work ahead.
  2. Ask in context.TELA is the conversation layer for working with production context.
  3. Reach it by text.TourText is designed to make existing tour information accessible by SMS.

Illustrative request “What time is load-in?”

Use a verified source. Flag missing or uncertain information for follow-up.

05How the work comes together

PEOPLE.DETAILS.SHOW DAY.

Start with the audience: what they need to understand and feel, how the show moves, and where a moment needs room. Writing, preparation, and coordination give the team a shared direction for show day.

Clear before we get there.

Venue requirements, rehearsal plans, production schedules, and the questions that need an answer.

Venue advanceSchedulesRehearsal preparation
Concept of the dotless Big What Big Wow mark embroidered in ivory thread on dark olive fabric

LET'S TALK.

Contact Jon

Built and designed by Pearl & Pig · Make It Mean Something

BIG ISN’T ALWAYS
ABOUT SIZE.

An idea. A show. A song. A tour.

Whatever you bring, we make the most of it, with intention. Every choice has a purpose. Every element earns its place.

The biggest wow might be one simple thing that makes people feel something.

One of the biggest advantages I’ve had is getting to work across a lot of different worlds. Television, film, touring, live performance, production, writing, communication, locations, creative producing and a bunch of things that don’t fit neatly into one title.

That meant I got to work under, beside and with thousands of people who were really good at what they did.

I watched people build things that seemed impossible. I watched great leaders make complicated work feel simple. I saw ideas I never would have thought of, systems I never would have built, and ways of working with people that completely changed how I think.

I also got to see what didn’t work.
That may have taught me just as much.

I saw the kind of leader I wanted to become, and sometimes the kind I absolutely did not want to become. I learned what made teams better, what made them worse, what happened when communication was clear, and what happened when it wasn’t. I got to collect lessons from a lot of industries that normally don’t spend much time learning from each other.

So when you see something here that I helped make, build, produce, design or rethink, none of it came out of a vacuum.

It came from years of watching people, asking questions, paying attention, screwing things up, learning, and getting another chance to do it better.

Big What Big Wow is partly my opportunity to take everything I’ve been fortunate enough to see and learn and say, “Here’s how I think we can make this work better.”

And even now, the best work is still a partnership.

So to everyone I’ve ever worked for, worked with, worked beside, learned from, argued with, solved problems with, traveled with, built something with, or simply watched do their job really well, thank you.

A lot of what I know came from you.

Big What Big Wow

Jon Hartman / Selected work

Let’s talk